Poetry
The poems in Sylvia Plath's Ariel, including many of her best-known such as 'Lady Lazarus', 'Daddy', 'Edge' and 'Paralytic', were all written between the publication in 1960 of Plath's first book, The Colossus, and her death in 1963. 'If the poems are despairing, vengeful and destructive, they are at the same time tender, open to things, and also unusually clever, sardonic, hardminded . . . They are works of great artistic purity and, despite all the nihilism, great generosity . . . the book is a major literary event.' A. Alvarez in the Observer This beautifully designed edition forms part of a series with five other cherished poets, including Wendy Cope, Don Paterson, Philip Larkin, Simon Armitage and Alice Oswald.
Please Do Not Touch This Exhibit explores disability, storytelling, and the process of mythologising trauma. Jen Campbell writes of Victorian circus and folklore, deep seas and dark forests, discussing her own relationship with hospitals — both as a disabled person, and as an adult reflecting on childhood while going through IVF.
Following the success of her breakout poem, "B," Sarah Kay releases her debut collection of poetry featuring work from the first decade of her career. No Matter the Wreckage presents readers with new and beloved work that showcases Kay's knack for celebrating family, love, travel, history, and unlikely love affairs between inanimate objects ("Toothbrush to the Bicycle Tire"), among other curious topics.
In a London flat, two young boys face the unbearable sadness of their mother's sudden death. Their father, a Ted Hughes scholar and scruffy romantic, imagines a future of well-meaning visitors and emptiness.
In this moment of despair they are visited by Crow - antagonist, trickster, healer, babysitter. This self-described sentimental bird is attracted to the grieving family and threatens to stay until they no longer need him. As weeks turn to months and physical pain of loss gives way to memories, this little unit of three begin to heal.
The work compiles two contrasting but directly related books of poetry by William Blake. Songs of Innocence honors and praises the natural world, the natural innocence of children and their close relationship to God. Songs of Experience contains much darker, disillusioned poems, which deal with serious, often political themes. It is believed that the disastrous end to the French Revolution produced this disillusionment in Blake. He does, however, maintain that true innocence is achieved only through experience.
Moth has lost her family in an accident. Though she lives with her aunt, she feels alone and uprooted.
Until she meets Sani, a boy who is also searching for his roots. If he knows more about where he comes from, maybe he’ll be able to understand his ongoing depression. And if Moth can help him feel grounded, then perhaps she too will discover the history she carries in her bones.
Moth and Sani take a road trip that has them chasing ghosts and searching for ancestors. The way each moves forward is surprising, powerful, and unforgettable.
Here is an exquisite and uplifting novel about identity, first love, and the ways that our memories and our roots steer us through the universe.
In this deeply intimate second poetry collection, Ocean Vuong searches for life among the aftershocks of his mother's death, embodying the paradox of sitting within grief while being determined to survive beyond it. Shifting through memory, and in concert with the themes of his novel On Earth We're Briefly Gorgeous, Vuong contends with personal loss, the meaning of family, and the cost of being the product of an American war in America. At once vivid, brave, and propulsive, Vuong's poems circle fragmented lives to find both restoration as well as the epicenter of the break.
Short Stories
This collection of stories is about women and their experiences in society, about bodies and the bodily, mapping the skin and bones of its characters through their experiences of isolation, obsession and love. Throughout the collection, women become insects, men turn to stone, a city becomes insomniac and bodies are picked apart to make up better ones. The mundane worlds of schools and sea side towns are invaded and transformed by the physical, creating a landscape which is constantly shifting to hold on to the bodies of its inhabitants. Blending the mythic and the fantastic, the collection considers characters in motion – turning away, turning back or simply turning into something new.
In their tiny, sea-beaten cottage on the north coast of Scotland, Liska and Ruth await the birth of their first child. They spend their time telling stories to the unborn baby, trying to pass on the lessons they've learned: tales of circuses and stargazing, selkie fishermen and domestic werewolves, child-eating witches and broken-toothed dragons. But each must keep their storytelling a secret from the other, as they've agreed to only ever tell the plain truth. Ruth tells her stories when Liska is at work, to a background of shrieking seabirds; Liska tells hers when Ruth is asleep, with the lighthouse sweeping its steady beam through the window. As their tales build and grow along with their child, Liska and Ruth realise that the truth lives in their stories, and they cannot hide from one another. A Portable Shelter is a beautifully produced collection of elegant, haunting short stories from one of Britain's most exciting new talents
Spirits in jam jars, mini-apocalypses, animal hearts and side shows.
A girl runs a coffin hotel on a remote island.
A boy is worried his sister has two souls.
A couple are rewriting the history of the world.
And mermaids are on display at the local aquarium.
The Beginning of the World in the Middle of the Night is a collection of twelve haunting stories; modern fairy tales brimming with magic, outsiders and lost souls.
Daisy Johnson’s Fen is a liminal land. Real people live their lives here. They wrestle with familiar instincts, with sex and desire, with everyday routine. But the wild is always close at hand, ready to erupt. This is a place where animals and people commingle and fuse, where curious metamorphoses take place, where myth and dark magic still linger. So here a teenager may starve herself into the shape of an eel. A house might fall in love with a girl. A woman might give birth to a – well what?
In Forget the Sleepless Shores readers should expect to be captivated by many ghosts and spirits who inhabit brine, some from tears of heartache and loss, some from strange bodies of water, not necessarily found on the map but definitely discovered through charting a course though the perilous straits of author Taaffe's imagination, which is eerie and queer (by every definition of the word).
Tales from the Inner City is a collection of incredibly original stories, rich with feeling, strangely moving, almost numinous. And when the reader comes to the artwork, it's like walking into an amazing room, and then throwing open a curtain to see a brilliant scene that makes you understand and appreciate everything you've encountered in a deeper way.
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